Masha Nyanna

In Spaces Between: The Starline Project 
Mapping Motherhood: The Mama Archive


MakanBersama Design Lab



Masha was born a creative—nurtured by her musical upbringing, it all naturally led her to creative expressions like short stories, visual art, and songwriting. With a background in Communication Design, she entered the DSF program with a clear objective: to seamlessly integrate her passion for the creative arts into a more meaningful career—bridging the gap between her desire for artistic expression and impact, and the realities of a corporate world.

Her educational journey, navigating the challenges of a single-parent household, has been a testament to her resilience, and demanding perseverance through financial and emotional hurdles, paired by the patience of her school leaders and peers. Each obstacle encountered has strengthened her resolve, building a foundation of purpose that anchors her next step. As such, she approaches every challenge today with an empathetic and optimistic drive, serving as an inspiring example of what can be achieved through unwavering belief in one's potential (and a litTLe bit of a helping hand).

An avid dreamer and go-getter, she stays busy on top of school by volunteering in youth work, pursuing her music career as a Singer-Songwriter, and enjoying Saizeriya with her partner on slower days. She stays focused as graduation draws closer, moving onto the next step of her journey at Kita as a Community Designer—working with the young people she’s been dreaming a future for, together.








Masha's station during Jom Jalan-Jalan!—a community walk put together by the MakanBersama students to showcase their works within the neighbourhood they've spent 9 months working with. Featuring a mural that plays with an angle-aligning illusion, it marks as a visual metaphor for the need of a shift in perspective—bringing visitors on a journey through Masha's project with the display of letter exchanges between two girls who participated in her programme, as well as activities to experience a hint of the programme for themselves.
Academic Guests and Critiques viewing letter exchanges made between 2 girls who participated in the programme's testing of Phase 1, the letters showing the gradual shift in friendship and emotional awareness in the two girls as it progresses - proving the programme's success.
A short letter writing activity, where passers-by are invited to view pinned up stars with a short message and question left by others, and prompted to shoot one back - continuing the cycle of reflective care and compassion!
Masha beside the Starline Mailbox that participating teenagers would mail their letters to each week. She is seen showing pages in a replica of a binder each teen receives - filled with prompts delivered to them through this mailbox weekly. The prompts grow in gradual vulnerability - beginning from questions about favourite things, to inviting deeper conversations surrounding feelings, struggles, and insecurities.
Plastered on each pillar, letters in today's digital age feel redundant. But this project sees the ambers that it could provide for teens with their emotional resilience and literacy building - Masha fanning the flame through The Starline Project, to prove it can burn bright.
A game of modified Jenga - played amongst the first time teenagers were gathered at MakanBersama together. Each colour corresponds to a different theme of questions, which teenagers so sneakily avoided…a behaviour that shaped a large part of The Starline Project’s formation.


In Spaces Between: 

The Starline Project

MakanBersama Design Lab

Most neighbourhoods are designed to support community—but what we don’t realise is how unequally it serves the people at times. Look around the noticeboards at our void decks: activities for children, services for adults, support for the elderly aplenty. Teenagers, however, are often missing - expected to find connection independently, whether online, in school, or beyond the neighbourhood.

This project began by questioning how that became the collective consensus—the assumption that all teens were figuring it out, and figuring it out well.

Adolescence is a critical stage of identity formation, yet for teenagers from disadvantaged homes, access to supportive networks is often constrained by limited mobility, financial restrictions, and family responsibilities. In the Hougang rental estate community, 9 months of fieldwork revealed a consistent pattern: teenagers remain physically present in neighbourhood spaces, but their social and emotional needs are rarely addressed.

In response, ‘The Starline Project’ reimagines the neighbourhood as a site for connection. Designed as a 2-Phase pen-pal programme, it begins by fostering a peer companionship through asynchronous letter exchanges—creating a low-pressure, reflective space for teenagers to express themselves and realise they are not alone. It then expands outward, guiding teens to engage with recognised supportive adults within their immediate community through facilitated, in-person interactions. Rather than positioning adolescents as passive recipients of care, the project invites them to actively shape their own networks of support—drawing connections between one another, and the people around them.

This exploration culminated in the activation of a familiar site within the neighbourhood: Uncle Raymond’s shop. Here, during a community walk event led and managed by the track’s students, residents and members of public alike were invited to retrace the project’s context, engage with the letters from a pair that participated in the programme and see the real Starline Mailbox, and participate in adapted programme activities that mirror both phases of the intervention.

By situating the exhibition within the neighbourhood itself, the work extends beyond representation into lived experience—prompting visitors to reconsider what community looks like, and who it is built for.

Ultimately, this project asks:

What if support didn’t have to be sought from far away?

What if it could begin right here - in the spaces between us?